Milkman finds Pilate at her home and is greeted by her knocking him unconscious as repayment for the grief he caused to kill her granddaughter.
The first clear indication of bigotry comes at the hands of Roberta's mother when the mothers of girls visit. The men laugh at Milkman's expense, but later give him the honor of removing the cat's heart when they clean the animal. Ruth, however, maintains that the scene that Macon describes to Milkman is exaggerated by Macon, and that she was merely kissing her father's hands, a part of him that was unaffected by the illness that killed him.
Any reader who wants more of the same can re-read his old works. Roberta, meanwhile, is a typical example of the members of the rebellious youth culture of the s. Milkman eventually spurns Hagar and she becomes obsessed with him, attempting to kill him once a month, but never following through.
The narrative has jumped ahead in time, and Twyla has gone further down the path of an ordinary, working-class life. Her father was pessimistic about whites and blacks learning to tolerate each other, but Toni's mother was much more optimistic.
This difference is symbolized in the event of the Klondike bars melting, something that worries Twyla but which she is assumedly too embarrassed to bring up in front of Roberta. For Milkman, then, the context of his parents' history is untrustworthy and it only serves to alienate him more from his family.
The performance hurts Milkman, as he has never seen his aunt to be anything less than tall, strong, and commanding. A more inward intensification calls for an arioso ; the opening of Comfort ye from the same work is a famous example, while the ending of it "The voice of him that crieth in the wilderness" is secco.
At this point, Milkman becomes accepted into the community and provided information and pointed to a woman with whom he can stay the night, Sweet.
Smith's attempt at flight and subsequent death functions as the symbolic heralding of the birth of Macon "Milkman" Dead III. The elder Galilei, influenced by his correspondence with Girolamo Mei on the writings of the ancient Greeks and with Erycius Puteanus on the writings of Hucbald  and wishing to recreate the old manner of storytelling and drama, pioneered the use of a single melodic line to tell the story, accompanied by simple chords from a harpsichord or lute.
Unfortunately, the effort amounts to little and Hagar succumbs to her grief in similar fashion to Ryna. Porter, a tenant of Macon Dead's who is encountered earlier in the novel drunk and causing trouble.
It may lose some of his fans in that it is less dark and brooding, less hopeless, but this could hardly be counted a loss. Deciding that Hagar needs her extended family, Pilate moves her daughter and grand daughter to Michigan to be nearer her brother Macon.
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